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Showing posts from December, 2008

21st Century Distribution

Always looking to see if there's a better way to distribute ones film I came across CreateSpace . Here you send them a DVD of your film, and upload your cover art, and DVD disk art and they take care of the rest. Now this sounds promising and they have an agreement with Amazon too, so that's an incentive right there, but read the fine print before you sign. CreateSpace has a fixed fee of $4.95 per unit. Then they take 15% of your listed fee. So let's say you're selling a DVD for $14.99. They take $7.19, and you get $7.80. Not bad I guess considering their printing out your movie and doing the shipping. But now if someone buys your movie from the Amazon link Amazon Inc. takes 45% of the list price of your DVD, and there is still the $4.95 fixed price. After the fees you get $3.30 per disk. Talk about the big guy socking it to the little guy. Can someone tell me what's wrong with this picture. I know Amazon is a BIG company, and I know they do lots of bu

Mamma Mia (2008)

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First let me get out of the way that I happen to be an ABBA fan. Okay I said it. I know not many people say that out loud, but for this review I have to say it and be done with it. For those not in the know ABBA was a Swedish band that had many hits during the 70's and early 80's. ABBA gained immense international popularity employing catchy song hooks , simple lyrics , and a Wall of Sound achieved by overdubbing the female singers' voices in multiple harmonies. Now that I've gotten that out of the way I have to say that the film Mamma Mia is a film that uses ABBA's songs to tell the story of a young girl who invites three men to her wedding in the hopes in finding out which one is her father. Throughout the film there is singing and dancing as mother ( Meryl Streep ), and daughter ( Amanda Seyfried ) confront each others history. Some of the songs of ABBA have been rewritten to fit the story. Originally a Broadway play and a successful one at that the film follow

2009 and onward!

I sometimes don't know what to write here. Another review, talk about an interesting article I came about on film making, or just try and toot my own horn. They say it's about subscribers, and I believe that, but I didn't start this blog to try and out do other film sites. I just wanted to be part of the discussion about film making, and more importantly indie film making. A lot has changed over the years in film making and in distribution. The Internet is a big factor now, and it can make ordinary folk like myself get heard. So that's a cool thing to do. So what have I been up to? We;; this time of year it's about the holidays for me. I try and re-connect with old friends, and try to share the spirit of the holiday. Of course my mind is never far from film making. I've been writing sometimes, but the projects get bigger, and then the frustration kicks in because for me it's hard to come up with money to finance the addiction. In these lean times m

Copyright

NPR had yesterday an interview with Lawrence Lessing . In his new book Remix , law professor Lawrence Lessig explores the changing landscape of intellectual property in the digital age. In the interview Lessing discusses the new forms of copyright such as the creative commons. I then came across the video " Good Copy, Bad Copy ". The video discusses the new digital age and how current copyright law is being challenged. Though the film discusses the music business it does have a section on film copyright and it has an interview with the chairman & CEO of the MPAA Dan Glickman. In the film they discuss Nigeria's booming film industry all without the help of copyright. It's an interesting look at how and where the future of copyright is heading. My only problem is I'd rather have the individual protected as a copyright holder rather then the corporations who seem to want audiences to have a limited access to their catalogues, or to charge them for it. I'm no

The Bucket List (2007)

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I caught "The Bucket List" on HBO the other night, and sort of enjoyed it. It was a bit schmaltzy though, and predictable, but worth seeing on cable. Both Morgan Freeman and Jack Nicholson play men who are given not long to live. Nicholson's character convinces Freeman's character to do the things that they haven't done before their time is up. Throughout the picture the two characters become closer and we are privy to certain secrets or regrets that they have had. i enjoyed the performances of Freeman and Nicholson, but the script seemed forced, and overly dramatic. Rob Reiner directs the film, and he does a good job at making us feel empathy for the characters, but again the schmaltz factor is hard to overcome. I like what the movie had to say, and its message, but feel that the film could have done this in a less heavy handed way. I can see where this movie could have gone into absurdity, but Reiner doesn't let the movie go in that direction. of course it

Revisting Spike's "She's Gott'a Have It"

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Spike Lee is a filmmaker who is a strong filmmaker. I've always thought his films are inventive, a bit experimental, and of course provocative. He's done so many films since " She's Gott'a Have it . In each film you can see how far Lee has come, and how good a filmmaker he's become. When I feel uninspired I go back to films that impress me, and have inspired me. She's Gott'a have it was Spike's first film, and when it premiered it made waves. A small little film about a women (Noela) and her relationship with three men. Lee even plays one of the men in the film. The film was shot on a shoe-string, and the budget is said to be about $250,000 dollars. For a first feature it has some interesting performances in it, but you can see that the film is a bit crude due to it's lack of resources, but what resources Lee has he uses and he uses them effectively. Lee says in interviews that it was only during "Do the right thing" that he became co

"Delgo" Has Worst Wide Release Opening Ever

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According to the numbers the movie "Delgo" has the worst wide release opening ever. According to box office the movie earned a measly $511,920 this weekend on 2,160 screens, not even breaking the top ten. "Delgo" is not the only major wide release bomb of the year. Three of the ten worst openings for films in over 2000 locations came out this year. The raunchy teen sex comedy "College" and the thriller "Deception," starring Hugh Jackson and Ewan MacGregor, both tanked, garnering the sixth and ninth worst openings ever respectively. What can we take from all this? That no matter how big you open a film and it isn't from a major studio that's backing it up in its marketing your doomed to failure. Making a movie is half the battle the other half is getting it noticed and out to screens. The story is interesting on how and who was responsible for the film. Apparently Marc Adler decided he wanted to direct and produce a $40 million computer an

The Day The Earth Stood Still (2008)

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So I was in a mood to see a good sci-fi film, and I decided to see "The Day the Earth Stood Still" starring Keanu Reeves, and Jennifer Connelly. I am a fan of the 1951 film. Unfortunately after seeing the film I can't say that I'm a big fan of this one. Don't get me wrong I like the performances, and I even like what the writers did by updating it to to days subject matters. But with all the build up the film let's you down in the end. I actually thought there should be more. Sure the world has stopped, but why. The film explains a lot of the motivations of Reeves character, but in the end I don't buy it. After being rebuked by the U.S. government Reeves character goes on a journey. In this journey he finds out that the human race is worth saving. There's an appearance of the character actor James Hong who I think is NEVER used well enough. In it Hong plays Mr. Wu another alien agent who had come to the earth over 70 years ago. I was actually more inte

The Death of Indie Film as a Business Model

There is a really interesting rant, or I should say opinion over at Mike Curtis's Blog HD for Indie . In it he discusses the demise of independent film making as a business model. Actually when was ever "indie" film making a viable business model. Of course you can point to the success in the field and say look at so and sos company and how it evolved, but that was then and this is now. Curtis says that with every success there are several failures, and it's this point that I've been hammering away. You could put even me in that category, but I'd like to think of myself as a success just because I got a movie made. Finding an audience is a problem. Not that there isn't an audience, but that the competition for that audience is intense. How can the little guy compete with films budgeted at $50 million and marketed for $35 million. Also there is a lot of FREE content out there now, so why pay. At what threshold can you make a product and still make a profi

Film school

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Being involved in education, and having a love of film I get asked about film schools a lot. Which one to go to, which is the best, how to I apply, and so on. First let me say that I strongly urge young men & women to seek out educational opportunities, and if they have a chance they should pursue what interests them. That being said is it smart to go to a school and major in film production or mass communications when the economy is in a free fall. I mean who has the money to go into a career where competition is tenacious, and employment is questionable? If I had known what I know now would I have gone to the school I went? For the record I went to Brooklyn College which is a city university in New York. My major was film production, and I had a minor in TV production. The answer to that question would be a resounding "yes". I would have done some things different, but I still would have gone. After all my love for film permeated my youth, and it was an extension of m

R.I.P. Forrest J. Ackerman

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I just heard that Forrest J. Ackerman had passed away yesterday. Ackerman was a man who touched a lot of lives, and if you happen to be a fan of horror and sci-fi movies you know he was the publisher of "Famous Monsters". I remember hiding several issues from my dad since he thought they were garbage, but a lot of adults didn't get it. To a boy of 8 or 9 those magazines were a peek into the world of the fantastic. Ackerman was 91, and even at his advanced age he commanded a lot of respect and was still active. He will be missed.