Sunday, February 25, 2007

Star Wars: The Next Generation

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The one movie that affected me more then any other is Star Wars. Yes I was and remain a child of George Lucas' imagination. It was 1977, and I turned thirteen. I was prime pickings for a tale of epic proportion where good and evil fought for control of the universe. All my movie going experience never prepared me for what I was about to see. Galaxies, star ships, hyperspace, robots, stormtroopers, and the force all had a serious impact on me. Not only was it a great story, but the effects were revolutionary. It was the effects that lead me down the path to filmmaking. I was already interested in movies, and I was experimenting with my Super-8 camera. I'd film epic battles in my backyard with GI-JOE's battling lizard men. But it was Star Wars that set me on the path in exploring the world of special effects and how they did it all. I found out about mattes, split screens, stop-motion, and miniature photography. I remember my frustration in not getting it right, and wanting to do more. It's when I discovered Single-8 from Fuji camera that I realized what I could do. You see Single-8 could be back wound, so I could shoot mattes and put my miniature spaceships in space and do all kinds of effects.

I would devour any article on filmmaking that I could get my hands on. Even my uncle helped me get more info on how they did certain effects. His company Oxberry which was based in New Jersey made equipment for special effects technicians such as optical printers and animation stands. I even got a chance to meet some effects technicians at a place called the Optical House in NY. While there I exhausted the technicans with my questions about how they did what they did. I even saw them doing an effect for Brian DePalma's "Blow-UP". This would lead to college where I studied film production and eventually my obsession with film as it is today.

So yes here it is almost thirty years to the date when Star Wars premiered, and who do I see watching the movie that inspired me? My own boys! Even today the Star Wars saga inspires. My boys are a bit too young to realize the technical end of filmmaking, but I do get a certain glee of watching them get involved in the story. It's the story that really propels it all. George Lucas may not make another film again, but he will always be a person who inspired a generation, and who keeps on inspiring other generations. Right now for the boys it's fantasy at its best, and their imagination is being cultivated. Imagine a world of storytellers who grew up with the Star Wars saga playing on their local cable channels.

With technology changing year to year who knows what this generation will come up with? Their limits will be the limits to their imaginations, and to think George Lucas may be responsible for paving the way for these future storytellers.

Thanks Mr. Lucas. You constantly invigorate the young & old alike, and for that I'm eternally grateful.

Saturday, February 17, 2007

Deadly Obsessions Trailer #2



I did this trailer because I wasn't so happy with the first. I digitized the footage from a VHS tape so the quality is so-so, but I liked the way the trailer does flow. If I wanted better looking footage I should go off the DVD, but I'm not sure how to do that or even if I have the proper programs to do so.

For the past few days I've tried encoding a video I worked on, so I can fit it on a DVD, but no luck, so it feels like I'm in digital hell. Maybe I just don't have the proper tools, but I've done some shorter projects with success, so this longer program is giving me a headache. If anyone has any suggestions I'm open to them.

On the filmmaking front still writing, and experimenting as you can see with DV, and to think I do this on my free time. I must be a sado-masochist!

POST SCRIPT: Got the Video to DVD. Seems Adobe Premiere likes DVD+ Not DVD- Premiere encoded and fit the video at the proper resolution, and frame rate. To say the least I'm happy.

Sunday, February 11, 2007

Tales from the Front Line of Indie Filmmaking



I’m an avid reader when it comes to filmmaking. I love books, articles, and magazines that deal with filmmaking, so it’s no wonder that I ordered "Tales from the Front Line of Indie Filmmaking" by Peter John Ross. Mr. Ross is a filmmaker who hails from Ohio. He’s been noted in such publications as Computer Arts, RES Magazine, Film & Video Magazine, LA Weekly, Film Threat and Internet Video Magazine.

The book details Mr. Ross’ experience in filmmaking and he devotes a section of his book to the making of his first feature film "Horrors of War". In the beginning of the book Ross discusses characters he has met in the DV filmmaking scene, and some tips about writing, editing, directing, and audition tips. Truthfully I could have done without the so-called characters Ross has come in contact with. I’m sure we all know that the world is a strange and peculiar place inhabited by wacko’s, weirdoes, and liars. To his credit Ross doesn’t go about naming these people, and his description of them is amusing at times, but the meat of the book is in the latter part, and even then I believe Ross glances over some interesting aspects in making his first feature. For instance Ross does say that raising the films budget was a pain, but he never gets into any real detail about it. A person who worked at Dreamworks SKG is their savior, but there are no details on what the budget was, and how the many investors were involved. Maybe I’m asking for too much detail, and after all who wants to give trades secrets. Remember the old saying: "Don’t piss on anyone while you’re climbing the ladder of success because you’re probably going to meet them again on you’re way down that ladder".

I commend Ross’ skill in getting a bigger bang for his buck. He used World War 2 re-enactors for battle scenes, and as any true low budget filmmaker would do he exploited his assets. If you want to see a trailer of the film go to Mr. Ross’ web site at http://www.sonnyboo.com/. On the web-site you will find other short films of Mr. Ross’ and also some promos of how they shot "Horrors of War".

So is the book any good? The short and simple answer is yes. Mr. Ross describes how he promotes his first feature, and how he doesn’t quit at doing it. I am even a bit envious on how Ross does this. I wish I had the time or the money to go and screen it to different people in various cities. That takes chutzpah, and he should be congratulated on that itself. The book is illustrated and has no real photos, which would make it more interesting. I would love to see some breakdowns such as schedule breakdowns and budget breakdowns. But maybe I ask for way too much, and after all this was a film done on the real cheap. After all since Robert Rodriguez promoted "El Mariachi" as the $7,000 dollar movie that could, the old argument of telling people what you’re film cost can either hurt you or help you. Ross even has a chapter on "the truth about Robert Rodriguez" which I found amusing and his arguments are well founded.
How do I compare Ross’ tales of movie making to my own? Well there are quite a few things he writes about which I too went through, and I guess most every person does who is making their first feature. What is interesting is how Ross and his partner & friend John Whitney shared directing credit. I do agree also that filmmaking is a film business, and that their are a lot of sharks out there. The way I see it is that Mr. Ross had access to a lot of big budget items and he didn’t have to pay for them. The re-enactors helped out a lot, and provided a lot of hardware and props to make "Horrors of War" look and feel like a million dollar budget film. I think that someone (the money guys) saw this and exploited that, and used Mr. Ross and his friends to create a good little film that they could sell for a lot more money. I admire how Ross kept his cool when the so-called film producers yelled at him for ruining the movie. I don’t think I would have been that cool headed.

The movie is still being screened at some film festivals. It’s most recent screening was at the the Weekend of Fear Film Festival in Germany. The film has also won an award in the the Columbus International Film Festival. So Ross and friends are still beating the promotional drums for the movie even to this day. I hope to see someday Ross’ film "Horrors of War", and I do believe that when I do see it I’ll be amazed at how well it turned out. What would be even more kick ass would be if and when the film comes out on DVD that they include a commentary track. In the book Ross mentions working on one so it’s a distinct possibility. As for the book I enjoyed the later half of the book, but after reading it I do look forward to what Ross will be doing next. It’s a good read, and it was also great hearing someone else’s war stories in low budget filmmaking, and somehow I know he has a lot more. Here’s hoping for a more unabridged version of the book.

PS: Ross writes about his "My Sexy girlfriend Veronica" throughout the book. Based on my own personal trials & tribulations in filmmaking I know that having a relationship and doing a movie at the same time can in itself be trying, so here’s to Veronica for standing by her man. (wink-wink)