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Showing posts from September, 2010

The New Year Parade (2009)

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I had been wanting to see Tom Quinn's movie "The New Year Parade" for sometime now, and only now have I gotten around to it.  The movie for me didn't disappoint.  Mr. Quinn photographed his film over four years, and with a ton of footage he has managed to create a beautiful film about family, and tradition.  The film introduces us to the McMonogul family, whose members have been part of the South Philadelphia String Band for several generations.  Mike played by Andrew Conway finds out that his wife (Ann McDonald) has been unfaithful, and he moves out in a rage.  Mike is the captain of the string band, and he buries himself in his obsession, or is it his duty of getting ready for next years show.  Throughout the movie there are hints that Mikes wife had her reasons, yet the movie only hints at that.  It's that which I find unfortunate because Quinn does show the stereo-typical Irish-American family as it has been depicted in many movies for sometime.  You know th

Machete (2010)

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Okay I really wanted to like this movie.  I'm a big fan of those "grind house" movies, and I have fond memories watching them in theaters that were far from stellar, but Machete is in no way a "grind house" film.  It tries and fails miserable.  First off grind house movies were made with so little money the producers of those films had to come up with ways to exploit them.  A scene that would get audience's tongues talking about.  Here the filmmakers of Machete have enough money to do what they want and they do it poorly.  The movie tries so hard, and doesn't even come close.  The film is played way over the top, and it suffers from it.  Robert Rodriguez who is the director or co-director of the film does it all, and throws everything and the kitchen sink into the film.  The pacing seems all wrong, and it goes from one preposterous scene to another.  What also takes away from the movie is the actors themselves.  Danny Trejo is the one person I like,

The American (2010)

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I had been interested in seeing this when I first saw the trailer awhile back.  I've always been a fan of stories about spies, assassins, and other under worldly persona's.  Charles Bronson in " the Mechanic ", Terrance Stamp in " the Limey ", and Bob Hoskins in " the Long Good Friday" .  All of these movies are fascinating and are good portrayals of people on the other side of the tracks.  The American is a movie that follows that same formula, yet Cloney as the main lead plays it laid back.  Jack or Edward we really don't know his name is a contract killer or a man who supplies contract killers.  The story never says though in one conversation his employer says he doesn't have to kill here.  That's what makes this movie interesting.  It's the ambiguity of the story that pulls us in, and of course Cloney's performance.  In the first few minutes of the movie we are treated to an ambush.  Just when you think you know where the s

Harry Brown (2009)

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Harry Brown is a movie I wanted to see when it came out, but never got around to it.  I was thrilled when it released this week on DVD .  With Michael Cain as the main character I wondered how this movie didn't do as well as it should have.  Say anything about Michael Cain he always gives his A game in a film.  The man could read Webster's dictionary and make it a good performance.  Harry Brown is Daniel Barber's second feature, and he comes out of the gate swinging with this one.  A film about revenge and growing old is what the film Harry Brown is all about, yet it plays on so many other levels too. After Harry's (Cain) best and only friend  (David Bradley) is murdered Harry takes on the hoods that have taken over his neighborhood.  I know "visions of Charles Bronson in " Death Wish " come to mind, but "Harry Brown is a different movie.  This film is not heavy on dialogue.  Cain's face portrays his character in this movie.  The loneliness,