Posts

Showing posts from December, 2005

The State of Things

Image
I've been lamenting about movies not being good anymore, and that everything is so corporate, but I would be remiss if I did not say that there are filmmakers and films out there that truly are works of art, and which are highly entertaining. Films such as the one pictured above. It is from a scene in " The Memory of a Killer " by director Erik Van Loovy. The above shot is of the actor Jan Decleir. The film is from Belgium, and it is an extrodinary piece of cinema. It should be put on every cinefile's list to go see. Other films such as "The Prize Winner of Defiance, Ohio" starring Julianne Moore, and Woody Harrelson is another film that is fabulous. Directed by Jane Anderson the film follows a women who is extra-ordinary. Then there is the movie "Separate Lies" , starring Tom Wilkinson, and Emily Watson. This film is truly a bright gem. It is the directorial debut of Julian Fellowes who creates a strong story driven by interesting characters. Ju

The Demise of Tape!

Image
So I've just read up on Panasonic's new camcorder which is releasing this month sometime. The AG-HVX 200 records on tape, but also on P2 disks, which give you 18 minutes worth of HD footage. So in essence you can now download all your footage to a HD array, and then plug that in after your shoot, and start editing on your NL editor. Digitizing becomes a distant memory, and now companies will expect you to have their projects done instantly. With every great advance there will be headaches, and a lot of them won't be technical. The price tag is steep, and one P2 4 gig disk is about $1,200, so this isn't cheap. Slowly the future reveals itself. Check out HD for Indies for more info on the camera and the street date. As the industry gets closer and closer to HD, and it becomes the norm it will be interesting how it does against actual film. Remember compression is DV's Achilles heal. With HD things get closer and closer to the film world. Such things as latitude &

Chomping at the bit!

I got my first review in for "Deadly Obsessions", and it isn't great, but I agree with a certain part of it, but still I'm proud of the film. After all most people who've seen the film seem to like it, and are interested in it. I've gotten some nice comments, and for that I am eternally grateful, but having lived with the film for so long I see more of it's flaws then anyone else. And you know what that makes me want to do? Do it AGIAN! You always learn something new and different on every film you do, and I want to jump on the next one, and apply those things that I learned. Everyone is a critic, and you have to have some pretty thick skin to go into any of the arts, but I still want to do more work. I have stories to flesh out, and characters to create. My problem is that I like doing films that I can realistically create. I'm no special effects techie who can have spaceships flying around galaxies, and I'm in no position to create a period piec