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Showing posts from January, 2012

Hugo - 2011

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I went to the movies Sunday to see Martin Scorsese's movie Hugo.  To say that I liked the film would be an understatement.  In Hugo Scorsese uses his love for cinema to tell a tale of a young boy and old man who have lost something and how they re-discover it again together. George Melies is a favorite filmmaker of mine.  I remember seeing some of his films as a small child, and they always struck me as fantastic.  The craft that Melies uses in his films is extraordinary, and I was always frustrated that documentaries of early cinema didn't contain more of George Melies.  Here Scorsese does this in a fictional film, while at the same time giving us the history of George Melies, and his films. I just hope that when the DVD comes out that maybe it would be accompanied with a documentary of George Melies and his work.  Maye even some of his films could be included.  It would be so worth it. The following video was from Sunday Morning on CBS, and it compelled me to rush down

New Canon EOS C300 Digital Cinema Camera

Here's something I found interesting.  I like Canon's support, and have never had a problem with any of their products.    Canon EOS C300 Digital Cinema Camera from B&H Photo Video on Vimeo .

Das Fraulein (2006)

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Das Fraulein is a Swiss production about Slavic émigrés living in Zurich.  It is a simple and yet touching potrait of  immigrants living in a culture not their own. The film concentrates on three women.  Mirjana Karanovic is Ruza, a Slavic émigré in her fifties, who years ago transplanted herself from her native Serbia to Zurich Switzerland over 30 years ago.  She runs a canteen in the city and she trusts no one.  She lives a life of loneliness, and isolation.   She and her Croatian associate, Mila (Ljubica Jovic) are confronted with the arrival of Ana (Marija Skaricic), a much younger Bosnian drifter, who enchants Ruza with her fresh spontaneity and zest for life.  It is between these three women that the movie focuses on.  The film is about barriers breaking down, and how through the interaction of others we change. Writer/director Andrea Staka's Das Fräulein paints an exceptionally sensitive, multi layered, and richly textured portrait of a blossoming friendship between

Mission Impossible: Ghost Protocol (2011)

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I was interested in seeing the latest Mission Impossiable because I had heard that they filmed certain sequences in IMAX, and I wanted to see the results.  I've seen several films in IMAX and have always come away from the experience at just how clear the images are.  The filmmaker Brad Bird makes good use of the process, and the film really looks great. I've been a big critic with studios making or re-making films in 3D.  It feels very gimmicky, and there still are those stupid glasses.  My little one hates them, and doesn't like watching a 3d film with them.  Avatar was amazing, but in the hands of a filmmaker like Jim Cameron there is no doubt that he uses the technology to his advantage, and to the films advantage. The IMAX experience is similar but I have always come away from an IMAX experience that seemed breath taking.  The imagery, and the sound is fantastic.   The story is simple.  This is not just another mission. The IMF is shut down when it's