KGB Productions

I'm a big fan of those spaghetti westerns that were shot in Spain and Italy in the late 1960's.  The Mercenary is one of those films that is pretty fun to watch.  Franco Nero stars as Sergei ‘The Polish’ Kowalski  who gets involved in the Mexican revolution.  The film is written and directed by Sergio Corbucci who gave us films such as Django (1966) , Companeros (1970) , and The Great Silence (1968) .  The movie is one big flash back as our Franco Nero's character explains to us how he and his revolutionary friend meet played by Tony Musante .  Musante gives a hilarious performance in the film, and he and Franco make an interesting pair.    Sergio Corbucci does a good job keeping the audience entertained.  It is not one of Corbucci's best films, but he has fun here, and the film shows it.    Eduardo Fajardo and the ever nasty Jack Palance play the two villains in the piece, and Palance seems to have a ball doing so.  For a spaghetti western the film shows r

To continue with a TV theme here.  Saw the other day Mob doctor.  Why you ask?  Well I heard William Forsythe was in it, and I'm a fan of his.  He is one of the most under-rated actors, and is usually cast as the heavy.  With no surprise he is here too, but the story of the characters seems interesting. The only thing is that the series has it wrong.  Forsythe's character is the one that is interesting and the relationship between him, the lead (Jordano Spiro) is the key. I really do think that the medical part of this is interesting.  Like in the first scene of the series where a guy has a screw driver removed from his head, but I really am tired on how TV depicts the medical community.  ER in it's early days was the pinnacle of a medical series.  So was St Elsewhere, but ER took it a step further and it really grabbed it's audience.  Now we're relegated to soap operas.  Like whose sleeping with whom, and who is in love and out of love.  One word..... BORI

It's been said that the real innovative and interesting shows are on cable and or TV.  Revolution debuted this week and from what I can make of it it has an interesting premise.  My only pet peeve is why do the networks have to rely on the cliffhanger model of storytelling?  I know that it is to engage an audience and make sure that they come bask each week, but this model of storytelling is a bit frustrating.  Since the early 80's the networks have begun to rely on this type of storytelling more and more.  But the cliff-hanger isn't that all interesting either so the writers need to punch it up a bit and stop being formulaic. The cliff hanger synopsis is not a new type of way of telling a story.  The serials of the 40's and 50's were just the same.  The studios back then wanted their audience to return week after week to see how the hero escapes or prevails.  So you see it's not new.  It's just gotten a bit more sophisticated.  The multiple story-li

Another Earth is one of those films that you start off watching and before you know it you're absorbed into the plot and need to see how it all works out.  At least that's what happened to me.  I had heard of the film and it's debut at Sundance and was a bit intrigued.  I was also interested in how the filmmaker made the film, and that in itself is noteworthy of another blog entry.  Needless to say the film is an interesting character piece.   Brit Marling  plays Rhonda Williams whose life changes by a tragic accident she causes.  How she goes about redeeming herself is a fascinating journey.  William Mapother character is just as fascinating and compelling to watch as Ms Marling's.  As a debut film by Mike Cahill "Another Earth" is a film with some interesting concepts.  The concept of two Earth's and different alternative realities is something that the film presents.  There is no tech speak on how, or why the event is happening, and that makes th