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Showing posts from June, 2005

Writing, Preparing for DVD, & other stuff

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Between writing some new/old material, and getting all the elements together for the DVD of " Deadly Obsessions ". It's been a busy few days. Of course there is also the day job too which keeps me going, which I don't mind, so there is little down time. Being a father of two boys also keeps me busy, but that's all par for the course, and somewhat enjoyable. I say somewhat because it does get a little crazy when both boys start crying, and yours truly feels like Michael Keaton's character in "Mr. Mom". I've been working on a script for some time now, and it's been going through several drafts and several severe plot line changes. They say the key to writing is re-writing, and I would have to agree with them on that. I'm sure there's another re-write in this scripts history, but one that isn't so dramatic. I've nailed down characters, plot lines, and resolution. Now comes the details which will change as I write it, and if I'

The Copyright Cartel

Here is an interesting story on how some filmmakers tackled the copyright issues in their film " Mad Hot Ballroom ". The documentary is about young children doing what else ballroom dancing" to several different songs. I've always been frustrated at the copyright issue, and what is fair use and what isn't. Where I work we adhere to "royalty free" copyrighted material for projects, but there have been a number of times where I felt it should have fallen into the "fair use" domain, but once you add lawyers to the mix the field becomes littered with landmines. The article makes an interesting point in saying that maybe the filmmakers were being too cautious, but then again as an indie the film-makers had to protect themselves, and even school districts insulate themselves by enforcing the royalty free music only policy. It's too bad because interesting material gets censored before it's even shot. One more thing the filmmaker of today has

Romero rules!

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Okay so I have to comment on Romero's latest flim "Land of the Dead". If anyone would like to hear the master himself NPR has two interviews with Romero. One interview done a year ago, and the other done during the premiere of his latest dead installment. Needless to say that Romero's latest is one which will not disappoint. But now for the bad news, and that is the latest box office places it 5th, and has made a little more then $10 million. It's still early but not good for summer business especially when the remake of "War of the Worlds" is releasing Wednesday. I just hope that Romero gets another shot at doing another film. Romero has been a maverick in filmmaking for sometime, and in an interview he did when "Dawn of the Dead" came out he talked about regional filmmaking, and it was an interesting concept to subscribe to, and now with the internet, and niche film markets opening up more and more you can see Romero was ahead of his time. I
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Okay so I'm all psyched to see this film. George Romero remains a favorite of mine, and I'm amazed to see that even Romero has a hard time getting films financed, and this from a guy who has a track record. As a teen I was heavily influenced by Romero. Creating all those backyard movies way back when in my youth were fun. It's been about twenty years since the last dead film, and I'm anxious to see the results. My thoughts on Romero can go on and on, so I won't do that here. Needless to say that it's good to see a talented filmmaker get his shot again. The horror genre needs to be resurrected if you pardon the pun.

41 and done?

So I was reading this article on pitching a film to a studio. It seems that a Michael Davis a 44 year old director of straight to video films has gotten a deal at New Line Cinema to direct a film called "Shoot'em Up". In the article it says that studios in Hollywood don't look at people over 40, and usually stick with young talent. Well I think I know why Hollywood has been loosing some of it's audience . It's the age factor. Hollywood is notorious for it's short sidedness, and it's attraction to youth. All one has to do is look under plastic surgeons and one will find a plethora of doctors all located in the Los Angeles area. But I digress, and this is all nothing new, so why the anachromony? Because I don't think it's over for me. Maybe call me a dreamer, or a hopeful romantic, but I in no way feel like I'm done, and that I'm toast. The old battle cry "I have not yet begun to fight" comes to mind, and I like it. Davis di

Ideas

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Two ideas have gotten hold of me, and both would make excellent films. I have not fleshed out the details, but it is something I'm very interested in. The above picture is from a pulp novel written by the late Jim Thompson . You can put his type of writing under such books as Dashiell Hammett, or Mickey Spillane, but Thompson was a bit more harder edge hence my like for his novels. There have been a number of films over the years that were based on Thompson's work. The Grifters , After Dark My Sweat , and the Getaway are all films that have had some success. Even "the Killer Inside Me" was made into a interesting film, but lately Thompson's presence has been absent in cinema. The rights to his stories are too expensive for this independent producer to ever buy an option on one of his stories, so I've been toying with doing something in that same genre using my own story. What appeals to me in these stories is the grit, and the rawness of the material. So henc

Feeding the Dream

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So after finishing the trailer for the film what's a person to do if funds are low, but ideas are plentiful? The answer is write, write and rewrite. So that's what's happening. In no area in the film-making process is the idea of a story more powerful then in the writing stage. It is here where YOU , and only YOU begin the long film-making process. All things are possible at this stage, and all avenues are open to you. You as the writer are God in your universe, and it is you who manipulate characters, storylines, and plot points. Of course when production begins, and even when you start pre-production things in the story will change due to time, financial constraints, and just pure luck. That's the magic or should I say the reality of film-making. Chaos ensures, but if your good it's a sort of a organized chaos. Yes I know that doesn't make a lot of sense, but in film-making little does. For a really funny and yet eye opening account of film-making see the mov